By: Wendy Sheard
This new production of the iconic musical, adapted from T. S. Eliot’s Old Possum’s Book of Practical Cats, is a feline feast for the imagination. Directed and choreographed by Drew McOnie, with Geriant Owen as musical director, the production combines the energy and power of dance, music and movement in an extraordinary way. Every graceful twist and turn, twitch of a tail and tilt of the head wonderfully imitates the movements of the cats that people know and love.
The musical, composed by Andrew Lloyd Webber, was first staged in 1981 and tells the story of a tribe of cats called the Jellicles on the night they make the ‘Jellicle choice’, deciding which cat will ascend to the Heaviside Layer and return to a new life.
And so, the scene is set for the cats to introduce themselves in the hope of being chosen by their caring leader, Old Deuteronomy, thoughtfully portrayed by Kalisha Amaris, who brings a sense of calm and wisdom to the role.
We meet an array of cats, each with their own personality and unique appeal. There is Rum Tum Tugger, the rebellious rock star cat who loves the ladies and being the centre of attention; Bustopher Jones, the fun-loving ‘cat about town’; Asparagus, the aged theatre cat who reminisces about the old days and old plays; Macavity, the dark and menacing criminal cat who evades capture by Scotland Yard’s finest and many others. All the performers are strong, bringing a dynamic appeal to their characters that makes them endearing and charming.
The costumes further enhance each cat’s distinctive personality. Some tight and figure-hugging, emphasising confidence, strength and feline agility, others are flowing and floaty, indicating their soft fluffiness, whilst others illustrate age and experience through shabby and worn attire. This combination complements the choreography and brings the individual characters vividly to life.
At first glance, the staging and stage management appear minimal, yet there is a complexity that takes us slowly through the night towards dawn and the promise of a new day. It also acts as the backdrop for a pirate ship and a steam train, as well as the stage for Mr Mistoffelees and his marvellously delightful magic show. The lighting effects add to the atmosphere of the performance. Flashes of light, twinkling stars, fire and fireworks create new depths, drawing us into the world of the Jellicles.
The intriguing thing about this production is the emotional highs and lows we experience. Moments of lightness, fun and merriment are swiftly swept away by darker, unsettling elements. Collectively, this creates a layered piece of theatre that explores personal identity and self-expression, alongside belonging and connection.
The outstanding moment must go to Louise Dearman, who plays Grizabella, the once beautiful and now faded cat, overlooked and shunned by her fellow felines. Her rendition of ‘Memory’ is spine-tinglingly magnificent. It is a privilege to hear and simply awe-inspiring.
This production of CATS is a visually inventive and emotionally compelling celebration of individuality, belonging and community. Drew McOnie’s dynamic choreography, the strength of the ensemble and Louise Dearman’s unforgettable performance make it a production with both energy and heart.
Whether you are a long-standing admirer or like me, encountering the Jellicle Cats for the first time, this is a theatrical experience well worth seeing.
CATS is on at Theatre Royal Plymouth until Saturday 17 October.