Press Contact: Natalie Thomas
04 October 2024
Made in partnership with Theatre Centre. A co-production with New Wolsey Theatre. Supported by Padepokan Seni Bagong Kussudiardja (Indonesia) and The Point Eastleigh.
What makes us feel for another person? Following four years of extensive research and development, the UK’s leading devising verbatim theatre company presents Feel Me, an interrogation of empathy which actively measures audiences’ engagement with the theme during the show.
Back by popular demand, a reworked, new version of Feel Me tours to venues around England in autumn 2024 and winter 2025, including Theatre Royal Plymouth from 12-13 November.
Using a mixture of live performance, film, projection, dance and interactive elements, Feel Me seeks real world impact and action and achieves it with help from modern technology. As active participants within the show, audiences are gently and anonymously asked to share how they feel about the story they are witnessing at different moments using their phones, and to consider who they connect with, who they feel empathy for and why.
The data gathered will be measured using innovative software accessed by the audience during the show in a series of collaborative ‘check-in’ moments, with results creatively shared live as part of the performance. Working in collaboration with academics from Essex University, the Company uses mobile phones to measure the impact Feel Me has had on their audiences and their empathy levels immediately as well as post-show.
Overall, 72% of the audience so far said they would probably or definitely show more empathy in the future and 81% said the show made them reflect on the world today.
Talking about the inspiration for the show, the Company’s Co-Founder and Co-Director Jemma McDonnell said: “The idea for Feel Me started in 2015 when I saw a picture of a three year old boy, Alan Kurdi, washed up on a beach. It was a picture I couldn’t get out of my mind, there was something in that horrifying viral image that kept making me return to the concept of empathy and what it means to feel for another. Jump forward five years and sat in lockdown with my own small children to take care of I decided to revisit this idea.”
The idea has since grown even further, following the show’s initial preview tour and change of company. McDonnell elaborated: “The beauty of being a devising company and the show having a change of cast has allowed us to revisit the original show and to look at widening the lens, using the live and film elements of the show to explore through the character’s eyes, rather than the performer’s story – because that character could be anyone.
“We’ve also incorporated the new performers’ voices within the piece more. They are directly interacting with the audience more, which results in greater opportunities to discuss the barriers and complexities of empathy. It’s a show that encourages audiences to think, but ultimately empathy is about emotions and so we’ve been really working on ways in which we can encourage the audience to feel more.”
Known for their exceptional work with and for young people, The Paper Birds put together a fantastic creative team of emerging artists under 30 years old to work on Feel Me, including, among others, Shanice Sewell (Assistant Director), Imogen Melhuish (Designer), Fraser Owen (Sound & Music Design) and the cast of Rebecca Callow, Klara Kaliger and Elinor Solly. The show was initially devised and performed by Lil McGibbon, Daz Scott, Kiren Virdee.
The Company also worked with five Youth Creative Councils – steering groups made up of young people aged 13-25 years old, some of whom with a lived experience of forced displacement. They supported the devising process by sharing their thoughts and opinions on the show as it went through its R&D and rehearsals.
Tickets for Feel Me at TRP are available now from https://theatreroyal.com/whats-on/feel-me/